Dance

Response Paper Kelly Ferris- “CONSTRAINED EMBRACE” & mark; 7 saltationrs & bruiser; Dancers wore rosy and black and purple and black costumes & poop; The cyc changed modify throughout the spring & hoot; The music had no delivery and at that place were no spoken rowing from dancers & copper; thither were no hold up & whoresonshit; Dancers go about all directions and used whole stage & strapper; thither were lots of turns and interaction from the dancers Lauren Soutullo- “WARPED ATTRACTION” & tinkers damn; 5 dancers • Dancers wore black transcend and light sinister mulct and silver brace allows • Blue cyc • There were luxuriant barres as props for the dance • Dancers mainly danced on/around the barre • Lots of jerky movements and lifts • rhythm had no lyric and there were no spoken words from dancers T his dance was about being attracted to others and not knowing how much(prenominal) you miss something until you let it go. And when you let it go, you eventually want it back. The dance worked because it put out a clear message of take away and letting go. The dancers would always be touching and interacting, but when they let go they would always strive to have the other back.

Julie White- “THE singing theme OF DECLINE” • 2 dancers • Dancers wore red tops and black bottoms • The music would start and gibe throughout the dance • There were alarm cl ock sounds in the music • Lighti! ng came from spot lights from to a higher place and side lighting • There were no props • Dancers utilized the floor and interacted a lot • Lots of turns Sarah Latza- “THE PRIDE” • 5 dancers • Dancers wore yellowed tops and black bottoms • Tribal music • Cyc changed from orange tree to red throughout the dance • There were no props • There was a lot of interaction among the dancers and groups of...If you want to uprise a estimable essay, order it on our website: OrderCustomPaper.com

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